except the title, the opening song sequence and a story line far buried beneath ludicrous acts of SK, the movie Om Shanti Om doesn't even come close to any other marks of the 70's blockbuster.
a run of the mill kind of movie perfect for SK obsessed fans. its a contest of who better over acts and SK Wins hands down.
Farah Khan feels she is a big fat grandma (no issues with that) and that audience is a dumb toddler and she can push anything down their throat while creating stupid fantasies on the fly. man, such unconvincing screenplay! while entering into the fire to save the heroine SK takes a long jump but while coming back, the flames provide him a clean way out (may be coz he is carrying the heroine) and he walks coolly. in another similar shot SK again finds the girl trapped inside a burning studio but cannot enter as the door is padlocked from outside. so he breaks the see through glass of the door which is just large enough to let a pigeon pass through it but voila in the next scene our super hero is inside!
first half is a stupid spoof of the 70's indian cinema culture and the viewer has to contemplate hard whether to laugh or not, i guess Sunil Pal and Ahsaan Qureshi show better creativity on the same subject. in second half audience gets to see SK in his fav role - self-conceited, larger than life, holier than thou image of super star. music is totally banal. god knows what Shreyas Talpade is doing in the movie. Kiron Kher makes the movie more irritating. Arjun Rampal is there only to put some story in the movie.
things to look for if you are badly trapped and left with no other option but to watch the movie
- curves of Deepika Padukone.
- curves of SK in Darde Disco song.
- designer denims in post half, specially in Om Shanti Om song.
- cameos of Abhishek, Saif and Kajol.
if Farah Khan and Karan Johar are so much obsessed by SK why don't they just lock themselves up inside a room with him and do what ever they want and be satisfied. why do they have to pour their diarrhea over the audience again and again.
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